Learn how to play walking bass chord comping in jazz guitar from a recording artist in this free music lesson video.
Expert: Dustin Plumb
Contact: www.dustinplumb.net
Bio: Dustin Plumb is a recording artist, who has a Bachelors’ in Music from the University of Oregon. He resides in Las Vegas where he runs a sound design company called DP creative.
Filmmaker: Dustin Plumb
wow that is so … wow that is so simple… if it wasn’t F.ing IMPOSSIBLE TO DO… duh!
BUT NICE VIDEO ANYWAY, it’s not your foult that i am such a damm loser in the guitar…
thanks! the next … thanks! the next step would be harmonising every bass note! for ideas listen to jim hall at the end of Bill evans’ solo on ‘My Funny Valentine’ from their duo album ‘undercurrent’
thank you,dnt worry … thank you,dnt worry that was pretty much the answer i was expecting,i know this is very complex stuff,im not about to tackle it anytime soon im still struggling with the blues,but ill get it on with the jazz someday!
It’s a lot more … It’s a lot more complex than the answer you would like, but using diatonic scales with chromatic passing notes is a good start. Throw in some diminished scales, altered (superlocrian/melodic minor), and whole tone scales, and you’ll have most sounds covered.
problem is alot of … problem is alot of jazz stuff changes key through out the song… so u need to know exactly where they change and to change scales accordingly…
sorry also the Bm7 … sorry also the Bm7 is actually a Bminor/major7.usually a “minor/maj7th” uses the 1st,minor3rd,5th,maj7.hence a minor chord with a major 7th. in jazz the use of minor/major chords are facilitated by the Dom7.
the Bm7 for example … the Bm7 for example is like this: 7th fret on the E, 6thfret on the A, 7th on the D &7th on the G. the notes played are: B,Eb/D#,A,D from B thats the 1st, Major 3rd, Dominant 7, minor 3rd.the E7 uses the same shape however its all down one string starting form the Enote at the 7th fret of the A string. E,Ab/G#,D,F#. from E thats the 1st, Major 3rd, Dominant 7, 2nd/9th.if the Dom7 wasn’t there the Chord would be Eadd9, however the Dom7 results in the E9 sound. hope that helps
I cannot find the … I cannot find the chords the way hes playing them in the video can someone tell me did he name the chords wrong or is he in alternate tuning ?
yeah, I was … yeah, I was confused on some of those natural 7ths… I think they were 9ths as well. So he got mixed up? Asked us to drop a full step on the d string when it ought to have been the A string for a 9th.
This was a great …
This was a great video, this walking bass techinique works really well on the I, VI, II, V pattern really nicely.
great vid!
porca puttana …
porca puttana perchè c’era la pubblicitĂ della banca prima del video?Non anche su youtube!
wow expert villiage …
wow expert villiage really did something right this time.
its easy
its easy
wow that is so …
wow that is so simple… if it wasn’t F.ing IMPOSSIBLE TO DO… duh!
BUT NICE VIDEO ANYWAY, it’s not your foult that i am such a damm loser in the guitar…
yeah
yeah
thanks! the next …
thanks! the next step would be harmonising every bass note! for ideas listen to jim hall at the end of Bill evans’ solo on ‘My Funny Valentine’ from their duo album ‘undercurrent’
and it really …
and it really sounds like jazz
Very good!
I’ve …
Very good!
I’ve heard this stile in the song No Samba Me Criei from Bossa do Samba.
You can find it here,
Such a great lesson …
Such a great lesson!! thank you
best expert village …
best expert village vid on youtube… plus the ones ’bout kissing:-P nice job
thank you,dnt worry …
thank you,dnt worry that was pretty much the answer i was expecting,i know this is very complex stuff,im not about to tackle it anytime soon im still struggling with the blues,but ill get it on with the jazz someday!
It’s a lot more …
It’s a lot more complex than the answer you would like, but using diatonic scales with chromatic passing notes is a good start. Throw in some diminished scales, altered (superlocrian/melodic minor), and whole tone scales, and you’ll have most sounds covered.
pretty cool!
pretty cool!
im just doing this …
im just doing this for a school project whitch is make your own song using jazz i got A*
problem is alot of …
problem is alot of jazz stuff changes key through out the song… so u need to know exactly where they change and to change scales accordingly…
blues pentatonic? …
blues pentatonic? bebop scale?
what are the main …
what are the main scales to use on jazz guitar?
sorry also the Bm7 …
sorry also the Bm7 is actually a Bminor/major7.usually a “minor/maj7th” uses the 1st,minor3rd,5th,maj7.hence a minor chord with a major 7th. in jazz the use of minor/major chords are facilitated by the Dom7.
the Bm7 for example …
the Bm7 for example is like this: 7th fret on the E, 6thfret on the A, 7th on the D &7th on the G. the notes played are: B,Eb/D#,A,D from B thats the 1st, Major 3rd, Dominant 7, minor 3rd.the E7 uses the same shape however its all down one string starting form the Enote at the 7th fret of the A string. E,Ab/G#,D,F#. from E thats the 1st, Major 3rd, Dominant 7, 2nd/9th.if the Dom7 wasn’t there the Chord would be Eadd9, however the Dom7 results in the E9 sound. hope that helps
I cannot find the …
I cannot find the chords the way hes playing them in the video can someone tell me did he name the chords wrong or is he in alternate tuning ?
thanks man. That …
thanks man. That was easy to learn
yeah, I was …
yeah, I was confused on some of those natural 7ths… I think they were 9ths as well. So he got mixed up? Asked us to drop a full step on the d string when it ought to have been the A string for a 9th.
It definitely …
It definitely sounds that way to me as well.
e7 and d7?? sound …
e7 and d7?? sound like e9 and d9?? anyway, not bad.